![]() ![]() Stay Tuned on Kooness magazine for more exciting news from the art world.Japan, with its volcanic landscape and temperate climate, is rich in green forests, majestic mountains and scenic waterways, and its natural beauty and changing seasons have always been a central theme in literature and art. ![]() ![]() They are to be considered as an instrument that serves the painter to investigate reality and find the way to the self-fulfilment of ones' individual essence, through the reunion with the Ultimate Reality. 5 In all pictorial reinterpretations of the landscape, the naturalistic components of a classical Chinese and Japanese landscape such as mountains, rocks, trees, and streams do not translate into a pictorial realism, but they constitute an aesthetic-existential operation. Paintings that complete the pictorial space of the screens with legacies that in this case refer to all the symbols of the Chinese landscape: very sharp rocky mountains, with a central basin of water. The religious centers used it as a support for meditation and the monks practised it at different levels, privately but above all as a discipline. The Sumi-e painting was brought to Japan in the 13th century by Zen monks, flourishing in the Muromachi era (1333-1573) especially within the Zen temples. If the interaction of these six elements connected to the intellectual and philosophical substratum that the Chinese painters associated with nature, and could, therefore, capture its inner essence and the external appearance simultaneously, then color was no longer a necessity and monochrome painting could assert a certain dominance, connecting ever more closely with the art of calligraphy. The art of ink painting originated in Tang China (618-907) and developed under the Song dynasty (960-1279) through the so-called "essential six", the fundamental characteristics of painting identified by Jing Hao: breath, rhythm, spirit, scene, brush and ink. Infinite shades of ink range from the white of the paper all the way to the green of the grass. These terms indicate a painting made only of ink, or painting made of rapid brushstrokes. Courtesy HonoluluĤ In the context of monochrome painting, there are two famous techniques: Sumi-e (only ink) and Suibokuga (ink and water). Every kind of subject is a metaphor of the rhythm, essence and spirit expressed by natural elements. What is the meaning by the artist’s work? 1 Both Chinese and Japanese artists from their origins have paid specific attention to their natural surroundings because in the philosophies of both countries man is always an active and integrated part of the landscape. ![]() Related articles: The History of Chinese Landscape Painting- Contemporary Art migrates to the East- Chiharu Shiota- Next Stop? China!- Another example of "Japanese Mania" - 7 artworks by Aya Takano explained. If you would like to explore the latest news about the recent importance of the Asian art system. At the same time, however, it is possible to highlight a lot of connections in their artistic practices and traditions. Today we will evidence five aspects of these similarities with a specific " Focus on landscape paintings" that you might keep in mind. As we know, China and Japan have many cultural and historic differences and it is often easy to find contrasts between the two. ![]()
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